Inktober 2017, Day 4!

Inktober 2017, Day 4: Invertaur

9x12 pen and ink on bristol paper

2015 sketchbook drawing and re-sketched version.

The Invertaur is a biomechanical vanguard unit hailing from my fledgling scifi story, Paradigm Chimera. I haven't written much for it at all, save for one creative writing prompt during college. I've slowly populated this world with more characters, however, and I enjoy returning to it!

Invertaurs likely come in different classes or 'models,' but they're all MASSIVE and share a hive mind.

INKtober 2016, Day 12!

INKtober 2016, Day 12: "I am no glutton, Elwick."
11x14 acrylic ink on smooth bristol paper

Fixed up old sketch I'd started last year.

2010 maquette I'd built for a college class. 

The ink I started off with feathered - not good!

"I am no glutton, Elwick. I am merely what the Fáèl dictate I be: a devourer. Understand, however, that I do not devour the innocent."

Uyné is a gregarious and highly intelligent beast. It's not easy to show, however, when you're feared by evil and good alike. Bobbin grew up with tales of Uyné's indiscriminate gluttony. The Mouth was said to be the most fearsome of The Five: a mindless beast driven by hunger.

Appearances are deceiving, however, and that is the theme behind this interaction. Despite his size, 
Uyné is gentle, and well-finessed with handling delicate visitors.

Book cover: The House of Lazarus, Part 2: DONE!

   

House of Lazarus cover
11x17 acrylic ink and gouache on smooth bristol paper

Final 6x9-proportioned file!

Three digital mockups I made to explore figure placement and texture.

6x9-proportioned study on cold-pressed watercolor paper.

Inked with a 3/4" wash brush. I should make more work like this for INKtober!

Black acrylic ink finished off with white acrylic paint.

Drafted with a Palomino Blackwing pencil. Kneaded eraser helps to knock pencil back for inks!

Inking begun with a Hunt 513EF nib - my favorite!

I made a smudge cover out of a scrap of matboard. Brush inking begun on hair.

I can use the margins as I work to clear excess ink from my nibs and brushes.

All done! I inked to the borders to allow for some wiggle room on the final file.

Tiana, thank you again SO MUCH for commissioning me for another book cover! This was an absolute treat to work on, and it helps me feel that my skills are improving, slowly but surely. Plus, who doesn't love zombies? :D

Book cover: The House of Lazarus, Part 1

Book cover: The House of Lazarus, Part 1

I am lucky enough to be working on a second book cover for my good friend, author T.L. Bodine! You may remember the cover I did for her short story anthology, The Beast in the Bedchamber, back in 2013.

Her upcoming novel allowed me to work with a new subject: zombies! The sketchbook pages here are an exploration of figure and textures. I'm going to make some digital mockups to show Tiana before I begin the final illustration.

I have a second book cover in the works for another good friend, author and artist Robert A. Sloan. I am illustrating the cover for his novel Elder's Pride, a Raptor Red homage following a family of Smilodon fatalis as they navigate the Californian Pleistocene in search of home territory. Although I took the cover on two years ago, Robert and I have both had setbacks in getting it ready. But I have several study pages to share, and you'll see them soon!